Wednesday, 10 June 2026

Writing Life: Stories of childhood survival and life in the shadow of the Eastern Ghats

 

Growing up near the foothills of the Eastern Ghats, my childhood home was always surrounded by the feel of nature… the lush green paddy fields, the dark jungle in the far distance and the rocky hills that rose up behind the millet fields miles away.

It was probably 1990 and I was in high school.

On weekends, I’d normally take a Ruskin Bond book up to the terrace overlooking my Grandmother’s flower courtyard and read his Himalayan stories under the Jacaranda tree.

I also had a couple of school text books to ease my conscience because I was supposed to be studying during the weekends.

But there was reluctance to open textbooks on a beautiful day filled with wispy clouds drifting across the sky.

And I’d usually end up listening to my favorite hard rock on my Sharp Walkman with its X-bass and graphic equalizer sliders, which I loved for the deep sound, close my eyes and wander into an imaginary world…

Sometimes, I wondered about the lives of the secretive animals that lived within those ancient forests of the Eastern ghats.

The music provided a mental soundtrack for the scenes that went through my mind.

I’d imagine the tread of the majestic Bengal tiger that stalked stealthily through the shadowy glades in search of prey. That creature of nightmares, the king cobra, as it silently slithered its scary fifteen-foot length through the dark forests in search of other cobras to eat.

The hidden ambush of the powerful leopard, one of the stealthiest and strongest apex predators as it waited, camouflaged behind the innocuous green leaves that danced in the monsoon winds dripping with rain...

It was peaceful up there under the Jacaranda, petting one of my tabby cats that had spread out across my lap while thinking of the gorgeous tigers deep in those hilly jungles.

But that particular day, my Grandmother was supervising the gardening around the chapel, which was a few hundred meters away from the main house with a thick coconut grove and guava plantation in between. She called to me to join her as she left and I put away my books and music.

I didn’t know that I was leaving behind the safety of my dramatic jungle daydreaming under the Jacaranda tree for the actual danger that awaited me in the plantation behind my house.

Silent peril in the peaceful coconut grove

On that eventful day, I decided to take a shortcut down a water channel that ran through the coconut and guava grove, instead of the main cleared path that my Grandmother took.

 

It was a concrete channel supported by a foundation of small and uneven rocks that had been piled up and roughly mortared together. It ran from the house till the chapel. On one side of it, there was the grove filled with neat rows of trees, while the other side was covered with a dense border of culinary leaves and herbs which separated the edge of my grandparent’s land from the highway on the other side.

This channel was used to pump water to the trees every morning and evening. The early morning watering had already been done and it had dried up in the mid-morning heat with small puddles of water here and there as I splashed through them. I was wearing a pair of red ballet flats with hard soles. And maybe that was one of the things that saved my life that day.

Two other kids were following behind me as I led the way down the concrete channel completely unaware of the peril that lay in wait.

I never saw it lying there.

I don’t even know how it happened. I don’t remember if the ground felt uneven beneath my feet or if there was any sound or texture that accompanied that moment in time.

I don’t recall the exact moment I stepped on the Russell’s Viper that lay coiled in the middle of that water channel.

There was nothing out of the ordinary until someone screamed behind me.

The sound cut through the quiet morning and the gentle swish of the wind blowing through the coconut fronds overhead.

The kids who had been walking behind me were pointing at the ground and yelling.

I turned and saw a sickening sight.

A writhing snake covered with scales. Its head was completely crushed and its body was twisting grotesquely in the throes of its death.

I lifted my feet and checked the underside of the soles and found a disgusting patch of slime and mess under a one and a half square inch of heel.

I felt a chill run up my spine and that creeped-out feeling of utter repulsion crawling over me.

I guess the significance of it didn’t really sink in at that moment.

Years later, I came to understand these facts.

The Russell’s Viper is one of the most deadly, dangerous and venomous snakes in the world because it’s responsible for a high number of human fatalities, almost more than any other type. It belongs to the notorious “Big Four” group of snakes (Cobra, Russell’s Viper, Krait and the Saw-Scaled Viper) in South Asia that cause the most human deaths.

As I write this story now, I’m doing a little research and this came up.

The venom itself is incredibly destructive, acting as a hemotoxin and cytotoxin. A bite causes severe pain, massive internal tissue damage, acute kidney failure, and interferes heavily with blood clotting, leading to severe hemorrhaging.”

In the local Tamil language, it’s called a Kannadi Viriyan because of its pattern of scales that look like shiny oval mirrors or glass. Some call it a Ratha Viriyan or Blood Viper because of what it does to the victim. It’s also called "eight-step viper", which stems from an old folk lore story (may not be 100% accurate but that’s the local reputation) that a person bitten by it could only take eight steps before collapsing.

My grandmother was so shocked that she looked at me as if I had walked straight through the valley of death and emerged unscathed.

Unexpected danger in the fragrant courtyard garden

But that was not the only time I encountered snakes in my childhood. I’m not sure if this incident happened earlier or later than the other.

My grandparents would always warn me and others to stamp hard on the ground while walking through grass or areas covered with plants. This would create ground vibrations that the snakes could feel so that they would have warning and slither away from any approaching humans.

But this encounter happened right outside the door.

We had an inner courtyard filled with climbing red button roses, pink and white roses in pots, and different varieties of jasmine and lilies.

The air was heavily fragrant with the scent of lilies of the valley, the night-flowering coral jasmine and Spanish jasmine.

The house was built in a U-shape enclosing this courtyard while the front faced a driveway bordered by bamboo and bougainvillea.

The fourth side of this courtyard was bordered by a water trough that fed the channel to the trees. The coconut grove lay behind it. And there was an open staircase leading up to my room.

One night, the sky over the open courtyard was filled with bright stars. I looked up at the heavens with a sense of poetry as I came down the stairs humming a song.

A faint night breeze blew the heavy fragrance of the Spanish jasmine from its trellis and everything seemed as it should be.

It was then that I heard a sound that instantly set my senses on alert.

It was around 9 or 10 PM, the place was dark except for two lights on either side of the courtyard and whatever it was that I had heard didn’t belong in that place at that time of night.

It sounded like someone was letting the air out of a tire. It was the sound of a high-pressure release of air. And I immediately thought of my own bicycle because I sometimes enjoyed pushing the pin to deflate it just to hear the sound and pump it up with air again.

But I had put my bicycle away in the shed which was nowhere near the courtyard.

Who was letting air out of a tire at night? There was no one around.

At one side of the courtyard, my grandparents had a raised granite stone flower bed filled with white and yellow thunder lilies. They are called rain or thunder lilies because they tend to blossom whenever there is a thunderstorm.

Maybe that was symbolic. Who knows?

My little calico cat Spidey was sitting beside the thunder lilies completely absorbed in something that looked like a dark coil on the concrete plastered ground. And I realized that the sound came from that coil.

I saw it but I was a kid of probably around ten and didn’t know what it was. I thought it was a scorpion but that didn’t account for the sound.

I called out to Spidey but she wouldn’t leave it. My grandfather’s room was at the corner of the courtyard and he always kept a couple of long bamboo poles right outside his door. He had lived many years in this region and knew what to expect.

I picked up one and tapped the ground on the other side away from Spidey so she could move away but she wouldn’t go. She was fascinated with that coil of whatever it was.

I called to my grandfather through the window that opened into the courtyard and told him that there was something on the floor that sounded like an air vent.

He was a veteran at handling snakes and other wildlife and immediately recognized the sound as soon as I pointed it out.

I sensed the tension in him as he picked up a powerful torch he had on his desk, told me to stand on the steps well away from it and direct the beam at the coiled sound.

Under the bright beam, I could see that it was a snake all coiled up with its head sticking out towards my cat who had been trying to pat it.

Swiftly, he picked up the other bamboo pole. I ran to push Spidey away but he urgently yelled at me to go back up the stairs.

He used the pole to sweep Spidey out of the way and immediately pivoted to land heavy blows on the hissing coil. It was a viper and it uncoiled as he hit it.

My heart was beating so hard as I grabbed Spidey. She was trembling with fear and had realized by now that she should stay away from this creature.

The hissing finally stopped and my grandfather prodded it to make sure he had neutralized the threat. I watched him examining it to make sure that it could not do any harm.

After a while, he picked it up with the pole and threw it over the low wall into the coconut grove, which was probably where it had come from.

Evening walks in the fields

My grandfather had retired from his position as the Director of an agricultural institute and he bought a few acres of land. Both my grandparents enjoyed planting trees and crops all over the land. We even had some livestock. Chickens, a rather clueless goat, rabbits and other animals.

One year, my grandfather planted lentils on a few acres. The tractors had dug up the soil earlier that day and I was walking around with a basket picking up pretty stones for my crafts projects. I found a shiny white stone with specks of silver and a red line running through it.

Happy with the find, I climbed up on to a large granite rock beside my grandfather who was sitting there overseeing the field work when I saw a strange sight.

It was a little grey animal which looked rather like an oversized squirrel. It had a bushy tail and I recalled that I had seen a similar one a couple of years ago at a mango grove.

It was a mongoose with a furry tail. But something was wrong with the scene. The mongoose had thick coils of something wrapped around its midsection. 

 

A pair of baby mongooses 

The mongoose was fiercely fighting the creature.

His movements were so quick. As I watched, my grandfather followed the direction of my gaze.

“That’s a cobra,” he said as he recognized the colors and pattern of the snake that had coiled itself around the mongoose.

People in that region usually killed cobras by breaking their spines because it was difficult to hit the flexible head once it opened its hood and began its creepy dance.

I felt a stab of fear for the mongoose. He was so small, cute and furry. How could he handle that predatory cobra?

But I soon saw that the little warrior was winning the battle. He was so bold. So fierce. So quick.

Within minutes, he had established a decisive victory. He bit the creature through the neck and paralyzed it.

The mongoose then grabbed the dead cobra in his mouth and carried it off victoriously.

My grandfather informed me that mongooses hunt snakes when he saw my surprise.

I watched with awe and admiration as the tiny furry victor dragged his evening meal away to his burrow. He was keeping the world safe in his own way.

What a little hero he was!

I’ve always admired mongooses ever since that day when I witnessed the battle.

In the city too…

I thought those encounters would end when I left the small town for a crowded city for work, but that was not to be.

Many years later, I was living in a busy big city while working for IBM. It was a rental on the ground floor and my cat Biscuitus (who was a kitten then) seemed to be engrossed with something under the bookshelf.

I was lying on the sofa beside the bookshelf reading but my cat’s behavior warned me that something was not right. He was trembling but wouldn’t move from that spot. He was clearly afraid. I pulled him away, knelt by the bookshelf and shone a flashlight under it.

All I could see was something that looked like a slanted stick and a sound of something hitting the wooden bookshelf.

It had to be a snake but… how could there be one in a busy neighborhood like this? Didn’t they belong in the jungle?

I didn’t know what to do. I didn’t have my grandfather’s skills and prowess with wildlife.

Fortunately, there were some construction workers on the street outside and they came in, and used a broom to drag it out. The uninvited visitor turned out to be a small juvenile cobra with its hood flared. I held Biscuitus and watched with horror as the men pushed it into a paper bag and carried it away.

Biscuitus had warned me to the danger and saved us both.

It was a shocking moment to realize that venomous snakes could prowl even busy residential streets. There was a small patch of vegetation with a coconut tree in the front yard of a house next door and the landlady said that she had seen a cobra in it.

Strangely enough, she was superstitious about the whole thing. Apparently, she believed that it was good luck to be visited by a cobra. And then another neighbor joined in and told a tall tale about how she had seen two cobras mating by moonlight and how it had frightened her. She had a weird belief that she would be struck blind for watching a scene like that.

I wanted to tell her that her eyesight was working perfectly well. And also, that it was highly unlikely that one could see snakes under dim moonlight.

And that I’d rather have a mongoose visit me. After all, doesn’t a mongoose make more practical sense because it can kill snakes that are dangerous to humans?

But they were odd people who actually believed in myths like that and had grown up rooted in superstition.

So, I kept my thoughts to myself. My grandfather would have laughed with amusement at their ways of viewing the world.

But snakes are a hazard for people and I wish the government would do something to reduce their numbers. Maybe increase the numbers of natural biological predators like mongooses which could keep people safe.

Ever since those encounters, I don’t even like to think of it. Even now, I don’t really want to dig up that old story out of the vault of icky memories. It comes with a sense of innate repulsion. But I’ve been thinking about this topic recently because we’re planning to move to a small town and a residential neighborhood that has had several snake sightings.

I’ve been researching methods to minimize the danger of any ever coming into my house. The best advice seems to be to create a barricade that they cannot scale like smooth compound walls, mesh fencing and gates with no space for them to crawl through.

I was thinking of the story of Rikki Tikki Tavi by Rudyard Kipling.

I love this story.

This is the story of the great war that Rikki-tikki-tavi fought single-handed, through the bath-rooms of the big bungalow in Segowlee cantonment. Darzee, the Tailorbird, helped him, and Chuchundra, the muskrat, who never comes out into the middle of the floor, but always creeps round by the wall, gave him advice, but Rikki-tikki did the real fighting.

He was a mongoose, rather like a little cat in his fur and his tail, but quite like a weasel in his head and his habits. His eyes and the end of his restless nose were pink. He could scratch himself anywhere he pleased with any leg, front or back, that he chose to use. He could fluff up his tail till it looked like a bottle brush, and his war cry as he scuttled through the long grass was: “Rikk-tikk-tikki-tikki-tchk!”

Awww, I’d love a Rikki Tikki Tavi…

But unfortunately, in real life, in 2026, one cannot keep mongoose as pets because poachers used to hunt them for their fur (which was used to make paintbrushes) and the government banned anyone from keeping mongooses.

Also, they aren’t easy pets like cats or dogs and are supposedly quite destructive.

I’ve also considered the idea of keeping a flock of guinea fowl in the yard. They operate as a kind of alarm system and set up a loud squawking if they see a snake and that alerts people. But apparently, they are effective only in the daytime and must be protected at night as they cannot see. And I have never done any kind of poultry rearing and that would be something new to learn. It could be fun.

I wonder what Biscuitus would think if we did keep guinea fowl in the area around the house. He would probably enjoy the company of some strange new feathered friends.

Anyway, I plan to repurpose some of these old memories and change the context and setting for my stories. And it was easy to write these 3000+ words today because it came from memories of my real life.

This is a good method for a writing exercise… reliving old memories and using them as inspiration to create new scenes.

Saturday, 23 May 2026

Writing Life: On Gothic fiction, time slips and genre-bending for memorable storylines

The summer holidays had begun after school and I was at my grandparents’ house bored out of my 12-year-old mind.

That was when I decided to take a look at my Grandmother’s bookshelf and found the first gothic novel of my life.

It was a hardbound book with pages printed on wood pulp. That particular fragrance still triggers old memories of lazy days reading and mental travel to another place and time.

The story was written by an author called Anya Seton set in mid-1800s New York. It wasn’t a light read and maybe the themes were too heavy for a twelve-year-old kid but I had no regrets about reading it then or now. After all, real life isn’t all curated sunshine and happiness.

A little later, I read “Wuthering Heights” by Emily Bronte, thought it was weird and macabre at first, and then got intrigued with its obsessive characters and psychological explorations.

I still like Gothic novels and I’m playing with the idea of introducing some of the classic gothic tropes into my particular genre of historical fiction.

Straightforward formulaic stories that follow the typical progression, and where you know what to expect are quite popular in the niche I write in… But… I want to try something different.

Where’s the fun when you can guess how it will end right from the first chapter?

 

Work hard Hooman! My treats depend on it!

In high school, most of the girls in class used to borrow books from lending libraries. They tended to binge on Mills and Boon or Harlequin romances, which are somewhat predictable and don’t really sustain interest for long.

Even in college hostel, I’d sometimes walk into some of my neighboring girls’ rooms and find stacks of these on their desks. I’d pick up one and read a few pages and know exactly how it was going to end. And lose interest.

I found it a little strange that they were so popular despite the predictability.  

But as a writer now, I want to give my readers a page-turning experience.

Evolving with the times

A massive transformation is currently going on that is already upending life as we know it. AI is increasingly getting into everything, and it’s already writing formulaic fiction.

AI can replicate what already exists. But its logical process gets confused with creative experiments. It may be able to write formulaic fiction but I hope it can’t write emotional dynamics that don’t follow a mathematical logic.

The path forward for creatives now looks like experimenting and trying new and different things.

Mixing genres can be risky because readers usually want more of what they already like. But I think introducing some gothic, unexplainable and mystical elements might amp up the stakes and add moments of tension and suspense to keep the readers turning pages.  

A couple of days back I was listening to some of my favorite rock songs and ballads by a much-loved band that I grew up on and some of the music and lyrics had a muse-like effect and got the mental wheels turning. It was about a destiny that is already written. Isn’t this a theme that storytellers just love?

The mysterious muse got me playing with the idea of a time slip with modern protagonists going into the past, probably two centuries ago… Something along the lines of Tristan and Iseult (a medieval tragic Celtic legend) meets Outlander (time travel). 

A recipe that blends parallel lifetimes, longing, difficulties and gothic elements for the atmosphere and energy.

There’s a scene in Diana Gabaldon’s Outlander which gives you chills down the spine and serious reading thrills.

It’s the eerie moment where Jamie Fraser’s ghost watches the 20th century Claire in the present time before she even knows of his existence. But he knows her from the past.

It’s a memorable scene because Claire later travels back in time two hundred years and meets the flesh and blood Jamie.

The Outlander series is genre bending enough to combine time travel, historical romance, adventure, gothic atmosphere and some fantasy. It keeps you guessing from page to page.

One minute, the female protagonist is in 20th century Scotland. The sense of suspense and foreboding builds up, and then she finds herself in a history she’s already read about. This takes her through the bizarre experience of trying to alter a history when she already knows the ending. Plus you keep wondering if she’ll ever come back to her real world again.

And then there’s Amy Harmon and her intriguing stories with a supernatural twist. I loved her “What the Wind Knows” and “Slow Dance in Purgatory”. She bends most of the known laws of time and physical existence to create a beautiful world of make believe where the impossible becomes possible.

Each story has a unique twist. One protagonist has the gift of telepathy and helps the detective who is after a well-known serial killer. Another is an American pioneer living in a dangerous time. Another time travels to become the foster mother of a child who later turns out to be someone she knew very well. These are highly intriguing plot lines.

I’m also quite fascinated with the concept of Carl Jung’s synchronicities. Strange events that feel like meaningful coincidences that feature almost a soul to soul telepathy.

I want to paint my stories with these hues and build storylines that include these mind-bending, lifeline blending dynamics where earthly timelines, and the past and present are not rigidly set in stone.

It’s the intricacies of “the space time continuum”, as Doc Brown calls it in the “Back to the future” movies that keep the audience performing mental gymnastics over all the “What Ifs” and keep them engaged with the story.

Finding Gothic story inspirations in unlikely places

This reminds me of a famous Colonial-era story with gothic tones which originated from an unlikely small town with an interesting past.

This town, which is currently being developed into a deep sea port for cargo ships was once an ancient fishing port and international trading settlement.

It was colonized by the Dutch centuries ago, by the French and then by the British so it has quite a lot of European and South Indian history all mixed up like a salad.

The story is about the origins of St Mary’s Church which is located in the town. Someone called it the ‘Taj Mahal of South India’, which is definitely not an architectural comparison. It’s a small heritage church with a cemetery attached to it but the comparison is about the love story that brought it into existence.

The original Taj Mahal was built as a mausoleum of love by the Persian/Mughal emperor Shah Jahan for his wife Mumtaz and St Mary’s Church was built with a similar intention.

To get back to the famous story of the historical town and its monument of love…

The story goes that sometime around the early 1800s, a certain Major General John Pater of the British Army, who was stationed for a time at the Bandar Fort, fell in love with a Miss Arabella Robinson.

This is where the tragic, obsessive and forbidden love part of the story begins. This story definitely has the elements of a Gothic romance.

He was married and had a wife back in England more than ten thousand miles and several months of a ship journey away. 

In the late 1700's and early 1800s, British military officers serving in the East India Company could go back to England to visit their family only once every 10 years (unless they had emergency medical leave). 

After 10 years, an officer could go back for a visit for 3 years but the ship journey could take 6 months each way, which cut their vacation time to about 2 years. They also had to pay for their own cabins on board ship and received only half the pay while they were away. 

Wives of officers lived in military cantonments where he was stationed so that they could be together but this doesn't seem to be the case here. Most women at that time chose to remain in Britain back then. For these reasons, many did not marry and remained single for much of their 20's or married local women. 

This real life story is set around the late 1700's, so it's possible that this was an arranged marriage and not someone he actually wanted to marry. Perhaps a marriage of convenience for the sake of family reputation, property or influence. 

He was a high ranking officer in the British army, which could indicate that he may have been from an old or established family line. And traditional families had their versions of arranged marriage back then. Or maybe it was a situation like Mr Rochester's from Jane Eyre.

Even Jane Austen’s novels talk about arranged marriage stories like that of Miss Bertram from Mansfield Park. Or Pride and Prejudice, where Mr Darcy’s aunt, Lady Catherine de Bourgh, wants him to marry her daughter, when all he wants is Miss Elizabeth Bennett. Or William Makepeace Thackeray’s Vanity Fair which highlights these social dynamics.

Or maybe he married young and regretted it later (Scientific research shows that the human brain fully develops the capacity for long term risk assessment only by the late 20s. People in general are prone to impulsive decision making before they reach this milestone. Perhaps it’s best to wait on major life decisions until the brain reaches its full thinking capacity and ability to evaluate long term consequences).

This is speculation driven by a need to understand the roots of it. As an author, one doesn't consider stories from a place of judgment but observe human behavior from a place of curiosity.

From the perspective of a fiction author, there is always the why. Why did he do that? Was there a reason? If so, what were they? Or maybe there was no logical reason but it was a powerful emotional connection where they felt like they belonged together. You seek to get into the minds of your characters and protagonists while writing fiction. And for real stories that have complicated twists and turns, you try to unravel the mystery. 

But no one really knows the full story of John Pater and Arabella Robinson anymore.

Besides this, Arabella was a Catholic and he was a Protestant. Some say she was Anglo Indian. They wanted to marry but their churches and society wouldn’t allow them to. So she eloped and began to live with him, which apparently caused quite a scandal in their community. But after all the high stakes drama, they still couldn’t find a happily ever after.

She caught Malaria and died in November of 1809. None of the churches would allow him to bury her in their graveyards because they had violated the rules of that time. And so, he had her body embalmed and kept it in his house where he grieved over his lost love alone.

Eventually, he had to buy a piece of land to bury her. But he didn’t exactly bury her in the full sense of the term.

He was so heartbroken that he had her embalmed body dressed in her wedding gown and put her in a glass coffin which he visited frequently. The coffin was operated by a lever and pulley mechanism that would cause it to rise out of its tomb.

This part of the story reminds me of Heathcliff and Catherine Earnshaw from Wuthering Heights. It’s the same kind of obsessive love that doesn’t let go after death.

John Pater built the building around her grave a few years after he buried her. And called it Arabella’s Chapel.

 

Shot this picture of St Mary's Church, built in the 1800's, around Christmas time when we visited the cemetery (decked up for Christmas but the building badly needs repairs)

There’s not much information about what happened to John Pater after these events.

Some say that he was later stationed at Madras (which is currently called Chennai, the capital of Tamil Nadu, and located a few hundred miles away).

There was a General Patter’s Road in Chennai (although the inscription on the gravestone says ‘Pater’, which must be the correct spelling since he placed it there himself). The road was supposedly named after him. But time eroded that memory.

In recent years, it’s been renamed after a local and politically significant figure (The politicians like to keep things interesting and confusing for the postal delivery guys and everyone who uses navigation systems, because they think renaming places will get them more votes.)

As for John Pater, some sources say he moved back to England after he retired while others say he was buried in Madras.

Some more research online revealed that he was in fact buried in Madras. One source is from the “List of inscriptions on tombs or monuments in Madras, possessing historical or archaeological interest” by J.J. Cotton, 1905. It says,

Lieutenant General John Pater, The Honorable East India Company (H.E.I.C.). Son of Charles and Elizabeth (Powell) Pater.

' A very good natured but enormously fat man of the Cavalry. The founder of Patter's Gardens and Patter's Road. He erected a monument to Miss Arabella Robinson at Masulipatam, November 6th, 1809. He was Captain on April 22, 1784, Major on November 19, 1790 ; Lieut.-Col. on December 31, 1796 ; Col. on January 1, 1798 and Major-General on January 1, 1805. He retired on the Off reckoning Fund, May 13, 1813.' 

I also found this summary which repeats much of the old story that’s still going around: 

Captain John Pater, fell in love with the Catholic, Arabella Robinson, daughter of Captain W. Robinson. They could not marry because Pater was a Protestant, also he had a wife back in England. So they lived together causing a great scandal. They had a daughter Sapphira, born in 1790. Arabella died in 1809 at Masulipatnam and was refused burial in consecrated ground. Pater had her body embalmed, laid in a glass casket and kept it at home. A month later, he bought a piece of land and started building a chapel to bury her in. This took him three years to complete. Pater would visit the chapel, opening her tomb lid with a pulley system to see his beloved's body. In 1816, he handed over 'Arabella's Church' to the East India Company. The church was consecrated in 1842 and renamed St Mary's Church (Masulipatnam). Pater married a second wife and had two sons, John and James. Lt-Gen John Pater died in Madras in 1817. He had a brother Rear Admiral Charles Dudley Pater of the Royal Navy.

And there are some details about their daughter:

Nov 1794 Baptised in Trichinopoly, daughter of John Pater and ___ Robinson

(Major, H.C. Cavalry) Aged 4 years

9 Aug 1813 Married Captain Charles Hawkey R.N. Commander of HMS Barracoutta.

They had four children.

23 Jan 1826 ' Mrs Saphira Hawkey, late of Madras. 

Her children were also in the army. There are some discrepancies between this record and the story that people tell. If Sapphira was born in 1790, then they must have been together for at least around 20 years, whereas the original story says they were together for only a short time. 

I’ve seen the St Mary’s church in Chennai (which is in the State of TN hundreds of miles away from the one that Pater built, which is in the State of AP). It’s an old overgrown cemetery under a flyover that I drove past frequently but I never visited it.

The church’s architecture looks interesting although the place is sadly in ruins. 

Anyway, I hope the souls of the protagonists of this real life story were reunited in the afterlife since they couldn’t find their HEA in their earthly life.

As for the glass coffin and the lever that moved it up, the local people say that the sexton of the church accidentally activated it one day when he was cleaning the place.

He was terrified when he saw the mummified bridal body and it scared him so much that he had a heart attack and died. And the church permanently sealed the grave under the floor.

One can still see the inscription and the monument which is built against a wall.

Arabella’s Chapel later became part of the mainstream Protestant Church and was renamed St Mary’s Church. And it’s currently run by the Church of South India (CSI) and is in bad need of repairs. They hold English language services inside the building and the grounds around it serve as the official Protestant cemetery now.

There’s a shopping mall and a big supermarket nearby and a busy road outside the grounds now so it doesn’t feel spooky or ghostly.

But there’s a sense of intrigue and a sensation almost as if the emotions and memories of those people who lived then are still hanging around, when I visit places like these. The ones that have been around for hundreds of years and have interesting stories associated with them.

And there’s a curiosity about the stories of people who once inhabited the same spaces and all that is associated with it.

 

This scene must have looked exactly the same centuries ago

 

Or this... 

 

I took these pics on a drive to a river delta recently

My fictional stories are not set in this place but the feelings and motivations of people are the same all over the world. And so we see similar echoes in classic old stories like Emily Bronte’s Wuthering Heights, Shakespeare’s Romeo and Juliet, the legend of Tristan and Isolde and others that people like to talk about. 

Or the Twilight series, which was so hugely popular some years ago. It's not the vampire wrapper that makes the story so hard to put down. It's the difficulties that stand in the way, the impossibilities, the obstacles that they are willing to overcome. Edward Cullen could have been something else besides a vampire and the story would have still had that core element that pulls at the reader's interest. Maybe Edward and Bella could have been from North and South Korea, or from rival families, or some other obstacle that corresponds to the cultural landscape of a specific time period. 

I’m also intrigued by the different shades of human nature. The many layers that make up a person beyond what is immediately apparent on the surface. They make compelling characters who linger in the psyche.

This Colonial-era officer with the glorious military career and his private and intensely painful heartbreak.

My great grandfather, the visionary who reclaimed land from the wilderness but died relatively young, was many different things to different people. He was a scholarly book-reading, violin-playing family man who was also a successful leopard hunter in the early 1900s.

I want to explore stories like these in my blog posts and find inspiration from them for the fictional ones.

To this day, people still talk about the story of John Pater and Arabella Robinson, mainly because of St Mary’s Church.

Some people dismiss it with an “Oh! That old story…” and an eye roll, but some romanticize it.

After all, this couple had a love so strong that they were willing to defy their society, families and institutions just to be together, and then it all ended in tragedy anyway. I wonder what kind of a pull there was between them that they went to such lengths.

This story definitely has a legendary feel to it and Gothic story elements.

It’s lingered in my mind for years and I’ve felt a compulsion to write something about it but… it’s their tragic story and it feels too sacred and disrespectful to write it as fiction.

But it does inspire me to write something similar.

I don’t want to write tragic storylines. But how do I turn a story with heavy Gothic elements into a happily ever after? It’s like making sunshine out of shadows.

I want to draw inspiration from the main thread and a few elements of the story. Not a dark tragedy but a HEA (happily ever after). That may be possible only with supernatural or mystical elements, time slips, synchronicities and bending the rules of material existence.

 

Don't write dull stories, Hooman, when you've got me for a muse! 

I don’t really care for light, fluffy, superficial stories and casual interactions between the characters. Those are the skim through once and forget types of books. They’re predictable to read and boring to write.

When I first got into historical fiction writing with a ghostwriting side hustle, it was the equivalent of a creative mental playground to keep from the tech writing boredom. But it was heavy on the formulas and expected outcomes. I did that for a few years while simultaneously writing marketing content for IT so it’s easy to write those but… they’re for the audience that likes the comfort of knowing exactly what to expect.

But the stories that you remember and want to read again and again are those that linger in your psyche for years. The ones with high stakes, extraordinary happenings and a touch of the supernatural.

Just like the twelve year-old who couldn’t put down that old wood pulp book and still draws inspiration from it several years later.